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Philiponet, Gabrielle - Soprano

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Philiponet, GabrielleSoprano
Philiponet, GabrielleSoprano
Philiponet, GabrielleSoprano
Philiponet, GabrielleSoprano
Philiponet, GabrielleSoprano
Philiponet, GabrielleSoprano

Biography

Gabrielle Philiponet was born in France and studied as a flutist and cellist before singing. Her singing teacher is Daniel Ottevaere. She was a member of the Opera Studio of the Chapelle Musicale Reine Elisabeth in Brussels und was a prize winner of the prestigious Reine Elisabeth Competition.
 
Her future plans include Falstaff (Alice) at Oéra de Lille and Beethoven’s 9th with Orchestre National del Lille in 2020. During 2021/22 she will sing Desdemona (Otello) at the Opéra de Saint-Etienne and Mireille (Gounod) at Opéra de Metz.
 
Recently she sung Les Pêcheurs de Perles (Leïla) at Opéra de Lille, L’elisir d’amore (Adina) at Théâtre du Capitole de Toulouse. For 2018/2019, she made her debut in the role of Leïla (Les Pêcheurs de Perles) at the Opera de Nice, her debut at Paris Opera singing again Frasquita (Carmen) and her debut in the role of Micaëla (Carmen) at the Opera de Metz and with the Orchestre National de Lille. 
 
The 2017/2018 season ended with her debut in Marguerite (Faust) at the Saint-Etienne’s Opera. Earlier, she sang Musetta (La Bohème) in Metz and Massy Opera, her first AdinaL’Elisir d’Amore) at the Opera de Nice and she made her debut at the Bayerische Staatsoper in Munich as Frasquita (Carmen). 
 
Her recent interpretation of Magda (La Rondine) at the National Opera de Lorraine, Violetta (La Traviata) at the Opera de Massy, Donna Anna (Don Giovanni) on tour in Spain, Antonia (Les Contes d'Hoffmann) at the Opera de Toulon and Portia (Le Marchand de Venise, Reynaldo Hahn) at the Opera de Saint-Etienne confirm her evolution to the Lyric soprano repertoire. 
 
She has performed the roles of Susanna (Le nozze di Figaro) at the Opera national de Lorraine, Oscar (Ballo in Maschera) at the Opera de Massy, Parasha (Mavra, Stravinsky) at Fribourg (Swissland), Musetta (La Bohème) at the Opera de Marseille, Despina (Così fan tutte) and Gabrielle (La Vie Parisienne) at the Opera de Toulon, Corinna (Il Viaggio a Reims) on tour at Reims, Vichy, Montellier, Tours, Nancy, Nice, Saint-Etienne, Marseille, Bordeaux and at the Capitole de Toulouse, Eurydice (Orphée aux Enfers) at the Opera National de Montpellier, Marie (Les Mousquetaires au Couvent) and Mi (Le Pays du Sourire) at the Tourcoing's Theater, Rosita (Un Mari à la Porte) with the Royal Philharmonic Orchestra of Liverpool and Le Feu/ La Princesse/ Le Rossignol (L'Enfant et les Sortilèges) with the Symphonic Orchestra of Montréal, La Fée (Cendrillon de Massenet) at the Royal Theater of La Monnaie and at the Grand Théâtre de Luxembourg and Lauretta (Gianni Schicchi) with the Belgian National Orchestra. 
 
Gabrielle Philiponet has worked together with conductors such as Roberto Rizzi-Brignoli, Alain Altinoglu, Nicolas André, Karel Mark Chichon, José Cura, Paul Goodwin, Stefan Klingele, Andreas Spering, Kent Nagano, Gunter Neuhold, Hervé Niquet, Vasily Petrenko, Roberto Forés-Veses, Roland Boer, Luciano Accocella, Emmanuel Plasson, Laurent Campellone, Michel Piquemal, György Vashegyi and Pascal Verrot.