Conny Thimander is a high tenor from Sweden, specialized in creating eccentric characters on stage. He received his Master of Arts degree from the Opera Academy in Stockholm and has been awarded with second prize in the competition Gösta Winbergh Award and received the Swedish Wagner Society Bayreuth Scholarship.
The season 2024/2025 will feature Mr Thimander as Narraboth in Salome at Malmö Opera, Julian in Snösystern at Malmö Opera and Brighella in Ariadne auf Naxos at Theatre Wielki.
His unusual scenic presence has lent itself to characters such as: Flute in Peter Hall´s legendary take on A Midsummer Night’s Dream at Malmö Opera (2021), Police Inspector, the extreme role in Shostakovich’s The Nose at Royal Danish Opera (2022), Orfeo in a performance version of Orfeo, Lollike´s last show as director of Sort/Hvid (2023), Pong in Turandot at Malmö Opera (2024) and the Royal Swedish Opera (2013), Mercury in Orpheus in the Underworld at Malmö Opera (2020), Phillip von Hessen in the Luther opera Schlagt sie tot! at Malmö Opera (2019), The Holy Fool in Boris Godunov, directed by Peter Konwitschny at Gothenburg Opera (2018), Tanzmeister and Scaramuccio in Ariadne auf Naxos at Gothenburg Opera (2018), Remendado in Carmen at Malmö opera (2018) and the Royal Swedish Opera (2012), Sandon in Swedish national opera Aniara at Malmö Opera (2017), Trotteltroll in Die Schneekönigin at Deutsche Oper am Rhein (2016), Niko and Hüseyin in Gegen die Wand at Deutsche Oper am Rhein (2014),
Mond in Vom Mädchen, dass nicht schlafen wollte at Deutsche Oper am Rhein (2014) and then later again at Theater Bonn (2016), Demo - the stuttering hunchback - in Il Giasone at Drottningholm Palace Theatre (2012).
The lyric quality of his voice and his exquisite musicality has shaped roles such as: Tamino in the Magic Flute at the Royal Swedish Opera (2013-2014) and Piccolo Regio (2010), Ferrando in Così fan tutte at Jyske Opera (2015), Lindoro in an youth adaptation of L´italiana in Algeri at Baden-Baden Festspielhaus (2017), André in Rufus Wainwright´s opera Prima Donna at the Royal Swedish Opera (2021), Ramiro in Cenerentola at Folkoperan (2024) and at Opera Hedeland (2024).
On the concert stages he has performed most of the major oratorios, where the role of the Evangelist in the passions by J.S. Bach has become one of his specialties. He has for example performed in the Berliner Philharmonie, Royal Albert Hall, Tokyo Bunka Kaikan and the Gulbenkian Foundation in Lisbon, together with Staatskapelle Berlin, Swedish Radio Choir & Orchestra, Orchestra and Choir of the Gulbenkian Foundation, Aalborg Symphony Orchestra, Aarhus Symphony Orchestra, Copenhagen Phil, Malmö Symphony Orchestra, Helsinki Baroque Orchestra, Eric Ericson Chamber Choir and the Copenhagen Boys Choir.
