It is still surprising that the most calibrated and regular voice in the premiere was from a secondary character such as "Spoletta", played by Moisés Marín who almost could made us remember the eternal police agent from Piero di Palma.
–Beckmesser.com, May 9th, 2019
...and what a discover we found in "die Steuermann" played by the Granadinian tenor Moisés Marín, he showed a perfect placement of his voice, with a well calibrated "sul fiato" technique without any changes among all the registers; as he demonstrated in his initial aria.
– Operaworld.com, Oct 3rd, 2018
