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Girininkas, Tadas - Bass

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Reviews

Faust, Theater St. Gallen, 2019
Tadas Girininkas, a Mephistopheles of all-embracing stage presence. With the darkness of the timbre, whose metallic alloy and the bronze strength of the intonation, stands the Lithuanian in the best tradition of Eastern European and Russian bass. A stroke of luck is the fact that Girininkas has the agility and the fine-tuning which is needed when one wants Mephistopheles vocally to keep away from the parody in Grand-Guignol style.
opernglas.de
 
Norma, Staatstheater Nürnberg, 2019
Even the beginning was pleasing when Oroveso's entrance scene with the choir through the full-flowing voice of the Lithuanian Tadas Girininkas got the right weight. With distinctive "basso profundo" and an impressive stage appearance, he gave dignity and presence to this father role, something that not every Oroveso succeeds so naturally.
 
Ernani, Lithuanian National Opera, 2015
Tadas Girininkas presented a very beautiful bass voice as Don Rui de Silva.
KULTURKOMPASSET reviews of culture
 
Otello, Opera på Skäret, 2014
The sonorous Lithuanian bass Tadas Girininkas makes much of little as Lodovico.
– Göran Forsling, Seen and Heard International